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Toofaan (previously written Toofan) is a 2021 Indian Hindi-English drama film by Rakeysh Omprakash Mehra, with Farhan Akhtar as a boxer, as supporting character, together with Mrunal Thakur and Paresh Rawal. The film released on Amazon Prime Video (India) on 16 July 2021.
Ali (Farhan Akhtar) is a Gangster from Dongri’s Mumbai suburb, who frequently deals with extortion and lender by means of violence, but who thinks that boxing may help him become a more powerful thug in a strange situation. Initially, because he is a Dongri muslim, he goes to Prabhu, who is unwilling to instruct him. But finally, the coach stops.
Prabhu’s anti-community enmity is the result of his death by a terrorist assault on his little daughter Ananya. He stupidly thinks that, notwithstanding his narrow drinking companion, Mohan Agashe, all of Muslims are terrorists, repeatedly emphasising that this could never be true. But Prabhu was so hardened that he refused to command Chinese cuisine from a Muslim community!
Years later, Ali is tremendously encountered when he goes with a cut on his head by Ananya (Mrunal Thakur) who grew up acting as a doctor at a charitable hospital for impoverished people and the needy. She kicks him out when she knows he was in a quarrel.
How to download Toofaan (aka Toofan)
Toofaan is currently streaming on Amazon Prime Video (16 July, 2021). You can watch the 161 minutes long movie with a Prime subscription. You can download the whole film for indefinite time using the Amazon Prime Video app for Windows, iOS and Android. Offline watch-hour is limited though.
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Plot: Ajju Bhai is an extortionist under a local mobster (Vijay Raaz) at Mumbai’s Dongri, also known as Aziz Ali (Farhan Akhtar). We do not exactly know the year of the picture, but in the last decade, it seems. Ajju meets Ananya who offers him enough motivation to become a fighter, Aziz Ali. Ajju encounters Anana. The smile begins when Nana Prabhu (Paresh Rawal) trains him, and he must appear Rakeysh Omprakash Mehra to finish all.
Toofaan (aka Toofan) REVIEW:
Toofan is frequently inane and predictable, Ali winning boxing fight after the game and then gaining Ananya’s attention and heart. There is no need for a Sherlock Holmes, to foresee where the narrative ends, even though an entirely inexpected second tragedy appears unnecessary and claims to just deepen the adamancy of Prabhu.
Unfortunately, Toofan clutters his canvas with too many problems, and the account of Anjum Rajabali and Vijay Maurya approximately 160 minutes seems to be so drastic. Editing was thrown out of the window with certain sequences perpetually playing. The tale of love between the two men, a bond between a dad and daughter, several tear-jerkers, and various songs undermine this basic storyline.
Here films such as Chak De India and Dhangal scored for being focused, whereas Toofan turns to the superfluous and often utilises the emotional card to keep us engaged in it.
Mehra, however, succeeded in building a large cast. Akhtar is first outstanding as Dongri’s ‘Dada’ and then as a fellow mellowed lover, husband and dad. Its transformative arc is impressive. Thakur’s like a cheerful girl with her contagious grin and joystick, while Rawal and Agashe play with wonderful belief.
Besides all that, Toofan lacks excitement considering a film on boxing.