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McCartney 3,2,1: A 6-episode Hulu series featuring interviews with Paul McCartney will premiere in 2021. In this one-on-one interview, Paul McCartney and Rick Rubin discuss the music of The Beatles, Wings, and Paul McCartney’s solo career; exploring music in a unique and revelatory manner, and giving a front-row seat to Paul and Rick in an intimate conversation about the songwriting, influences, and persuasion of Paul.
Cast: Paul McCartney & Rick Rubin | Director: Zachary Heinzerling
McCartney 3,2,1 Episodes:
E01 · These Things Bring You Together
John Lennon and George Harrison’s connection with Paul McCartney is put in fresh light by Paul McCartney’s recollections from the early days.
E02 · The Notes That Like Each Other
His unique approach to musical composition, Bach and Fela Kuti inspirations and some of the developments that make his music unique are discussed.
E03 · The People We Loved Were Loving Us!
He pays homage to musicians that impacted The Beatles, describes their journey to India, and explains the band’s evolution.
E04 · Like Professors in a Laboratory
Beatle Paul McCartney talks about The Beatles’ ambition to break boundaries and musical innovation.
E05 · Couldn’t You Play It Straighter?
John Lennon and Paul McCartney discuss McCartney’s role in the band, The Beatles’ sound and identity, and McCartney’s personal contributions.
John Lennon’s creative collaboration with Paul McCartney, and McCartney’s individual growth are discussed in this interview with Rick Rubin.
How to Download McCartney 3,2,1 HULU Miniseries
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USER REVIEW: McCartney 3,2,1
There’s a lot to learn even if you’re familiar with the tales behind the Beatles’ most famous songs, whether it’s how they were written or critical mistakes/happy accidents that became classic Beatles moments.
This isn’t a chronological “Beatles documentary” that reminisces about their biggest hits. Songs from several eras, including McCartney solo and Wings, are included.
Some very amazing things is in this book, if you ask me. Rubin is continually dragging songs in and out to emphasize what McCartney is saying. In some ways, it’s like a freer, better-produced version of the show “Classic Albums.”
Musical ideas/techniques (and errors) are also emphasized (as “Classic Albums” does). If you’re a musician or a music nerd, this documentary is a must-see. There’s not a lot of gossip here about the Beatles’ personal lives or behind-the-scenes drama—all it’s about their music.
Times Read Review: McCartney 3,2,1
Eric Williams: Again, greetings from the depths of the shadows. Paul McCartney was interviewed by Chris Farley on “Saturday Night Live” in 1993. That was a great performance. Sir Paul McCartney is now 79 years old and a living music icon. Zachary Heinzerling was nominated for an Academy Award for his 2013 documentary CUTIE AND THE BOXER. McCartney and renowned hip-hop music producer Rick Rubin spend three hours debating music, history, and impact in this black-and-white documentary.
There are many of the same tales repeated over and over again by Paul McCartney. But each episode is filled with a new narrative or a glimpse behind the music he’s made during his 60-year career. His private life has been skillfully guarded for so long that little is known about it, yet this atmosphere is focused on one issue. McCartney and Rubin dissect some of the most renowned and popular songs of all time.
Rather of following a chronological order, the storylines in the episodes meander a little, and each episode incorporates a few color snippets that match to McCartney’s memory of the event. Paul reflects on Edith Piaf’s impact on his songwriting and “French” period (although Jane Asher is not mentioned). “Sgt. Pepper’s Lonely Heart Club Band” was influenced by the Beach Boys’ “intercontinental rivalry” (sprinkled with a humorous salt and pepper story). Paul chomps on his gum while he refers to “George’s acquaintance”, who happens to be Eric Clapton.
We also learn more about “Eleanor Rigby” (with the Octet), “Penny Lane” (featuring Dave Mason’s piccolo trumpet), “Band on the Run”, “Blackbird” and the trip to Lagos. In this part, Paul acknowledges George Martin’s value as a producer, singer, and arranger for the very first time. The Beatles’ first U.S. number one song, “I Want to Hold Your Hand”, starts the third episode, “The People We Loved Were Loving Us”. It is important to watch Roy Orbison, Jimi Hendrix, and Bob Dylan play. He repeats the too-familiar “Lucy in the Sky with Diamonds” story, and recalls the band’s trip to India.
There are a lot of new details to be found in episode 4, “Like Professors in a Laboratory”. A Hard Day’s Night’s opening chord is discussed by Rubin and McCartney, as is the band’s interest with Robert Moog’s new innovation at Abbey Road. Also, Paul talks about writing his James Bond theme, “Live and Let Die”, before concluding the interview with performing “You Know My Name”. George Martin’s string quartet on “Yesterday”; Paul’s bass line on “Something”; George telling Paul, “you play it” on the guitar solo on “Tax Man”; and John’s bass line on “Come Together” Helter Skelter finishes Episode 5, while “The End” marks the end of Episode 6.
Rubin and McCartney are filmed in the round by director Heinzerling, with a few exceptions when Paul takes up a guitar or sits down at the keyboard to make a point musically. In this conversation, Rubin takes on the roles of music lover, music professional, and interviewer. Paul’s face lights up as he recalls the “luck” (his phrase) connected with some of the band’s rapid studio work. This is Paul McCartney’s concert. John, George, and Ringo do get a few minutes of recognition, but this is Paul McCartney’s presentation.
Peter Jackson’s THE BEATLES: GET BACK for Disney+ is sure to increase the already high level of anticipation for that film.
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